{"id":25584,"date":"2020-10-11T18:00:19","date_gmt":"2020-10-11T16:00:19","guid":{"rendered":"https:\/\/fiaf.net\/agoradicult\/?p=25584"},"modified":"2020-10-11T18:00:19","modified_gmt":"2020-10-11T16:00:19","slug":"ambiente-clima-futuro_-elaborazione-del-concept_04-a-cura-di-silvia-tampucci","status":"publish","type":"post","link":"https:\/\/fiaf.net\/agoradicult\/2020\/10\/11\/ambiente-clima-futuro_-elaborazione-del-concept_04-a-cura-di-silvia-tampucci\/","title":{"rendered":"Ambiente, Clima, Futuro_ Elaborazione del Concept_04 \u2013 a cura di Silvia Tampucci"},"content":{"rendered":"<p>.<br \/>\n&nbsp;<br \/>\n.<br \/>\n&nbsp;<br \/>\n.<br \/>\n&nbsp;<br \/>\n.<br \/>\n&nbsp;<br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-25604\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/2-fotografi-esposti-7.jpg\" alt=\"\" width=\"580\" height=\"805\" srcset=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/2-fotografi-esposti-7.jpg 580w, https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/2-fotografi-esposti-7-216x300.jpg 216w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><br \/>\n&nbsp;<\/p>\n<h3>GRAND PRIX EYES ON TALENT PHOTOGRAPHY &amp; SUSTAINABILITY<br \/>\n<span style=\"font-size: 16px\">(<\/span><em style=\"font-size: 16px\">GRAN PREMIO EYES ON TALENTS FOTOGRAFIA E SOSTENIBILIT\u00c0<\/em><span style=\"font-size: 16px\">)<\/span><\/h3>\n<p>&nbsp;<br \/>\nIn occasione della mia visita a Parigi a novembre del 2019 mi sono imbattuta in una mostra dedicata all\u2019ambiente e, con l\u2019annuncio del nuovo tema Nazionale dedicato al medesimo argomento, ne ho approfittato per approfondire ci\u00f2 che avevo visto.<br \/>\nNell&#8217;ambito di Paris Good Fashion e in occasione della 23a edizione di Paris Photo, Eyes on Talents ha presentato il lavoro di cinque fotografi internazionali che sono stati selezionati per il GRAND PRIX EYES ON TALENTS PHOTOGRAPHY &amp; SUSTAINABILITY 2019.<br \/>\nEyes on Talents, gi\u00e0 impegnato nel design inclusivo, ha creato per la prima volta un Grand Prix che premia le visioni fotografiche al servizio dell&#8217;ambiente.<br \/>\nLo scopo del GRAND PRIX EYES ON TALENT PHOTOGRAPHY &amp; SUSTAINABILITY (<em>GRAN PREMIO EYES ON TALENTS FOTOGRAFIA E SOSTENIBILIT\u00c0<\/em>) \u00e8 di contribuire a rendere la societ\u00e0 sempre pi\u00f9 sensibile alle problematiche ecologiche legate all&#8217;industria della moda, a favore della trasformazione della produzione di abbigliamento e dei metodi di consumo.<br \/>\nGli autori selezionati sono stati Sophie Delaporte, Andrew Nuding, Romain Roucoules, Kateryna Snizhko e Amir Tikriti.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<div id='gallery-1' class='gallery galleryid-25584 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-1-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-2-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-2-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-3-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/3-Sophie-Delaporte-Grand-Prix-Paris-Fashion-for-Good-2019-02-1-3-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nSophie Delaporte &#8211; Troubled waters<br \/>\n<a href=\"http:\/\/www.sophiedelaporte.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.sophiedelaporte.com\/<\/a><br \/>\nSophie Delaport, con il suo progetto, porta una riflessione sull\u2019impatto pericoloso che l\u2019industria della moda ha sull\u2019ambiente (produce il 10% di tutte le emissioni di carbonio dell&#8217;umanit\u00e0 ed \u00e8 il secondo consumatore di approvvigionamento idrico del mondo).\u00a0Le figure che si vedono sono sculture in plastica colorate che vengono inserite nell\u2019ambiente naturale, in questo caso l\u2019acqua.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<div id='gallery-2' class='gallery galleryid-25584 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-2-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-2-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-3-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-3-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-4-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/4-Andrew-Nuding-Making-Strange-2018-4-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nAndrew Nuding- Making Strange, 2018<br \/>\n<a href=\"http:\/\/www.andrewnuding.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.andrewnuding.com\/<\/a><br \/>\nIl titolo &#8220;Making Strange&#8221; deriva dalla frase irlandese e significa agire in maniera nervosa o timida quando si incontra una situazione sconosciuta o strana.\u00a0L\u2019artista ha collaborato con \u00a0artisti del calibro di Mary Clohisey (scenografo) e Kieran Kilgallon (stilista e designer) ed ha coinvolto giovani designer che hanno usato abiti riciclati e provenienti da eventi di beneficenza, rielaborandoli e dando vita a nuovi scenari.\u00a0Il progetto \u00e8 stato realizzato combinando nature morte di patatine, sidro, borse, carta di McDonald&#8217;s con ritratti fotografati tra i paesaggi lontani dell&#8217;Irlanda.\u00a0(Il sacchetto di carta di un McDonald diventa un vaso, i maglioni diventano cappelli e cosi via).<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<div id='gallery-3' class='gallery galleryid-25584 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/5-Romain-Roucoules-Global-Solutions-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/5-Romain-Roucoules-Global-Solutions-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/5-Romain-Roucoules-Global-Solutions-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/5-Romain-Roucoules-Global-Solutions-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nRomain Roucoules &#8211; Global Solutions<br \/>\n<a href=\"https:\/\/www.ecal.ch\/fr\/4176\/formations\/bachelor\/photographie\/descriptif\/global-solutions\" target=\"_blank\" rel=\"noopener\">https:\/\/www.ecal.ch\/fr\/4176\/formations\/bachelor\/photographie\/descriptif\/global-solutions<\/a><br \/>\nSoluzioni globali: conseguenze distanti, cause vicine.\u00a0Il progetto, presentato sotto forma di installazione, affronta il tema della deforestazione. Dopo le elezioni presidenziali brasiliane del 2018, la foresta amazzonica, un&#8217;icona ambientale che \u00e8 stata in qualche modo dimenticata negli ultimi vent&#8217;anni, \u00e8 tornata sotto i riflettori. Tra memoria e dimenticanza collettiva, Global Solutions mette in discussione il modo in cui percepiamo realt\u00e0 distanti, osservate attraverso il prisma di strumenti tecnologici.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<div id='gallery-4' class='gallery galleryid-25584 gallery-columns-4 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-1-1.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-1-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-2-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-2-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/6-Kateryna-Snizhko-\u2013-Debris-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nKateryna Snizhko \u2013 Debris<br \/>\n<a href=\"http:\/\/www.experiolation.com\/debris\/2019\/10\/10\/4o3y7qcoqp79y4m6cnwp0i980j6dp2\" target=\"_blank\" rel=\"noopener\">http:\/\/www.experiolation.com\/debris\/2019\/10\/10\/4o3y7qcoqp79y4m6cnwp0i980j6dp2<\/a><br \/>\nLa serie &#8220;Detriti&#8221; \u00e8 nato durante un workshop sulla risografia (stampa economica e veloce permette di ottenere ottimi risultati dal sapore artigianale, vintage e \u201cfatto a mano\u201d).\u00a0L\u2019artista ci porta un\u2019 osservazione di rifiuti artistici, avanzi e scarti come risultato della pratica artistica e di un processo di creazione. Con un approccio filosofico, \u00e8 passata dalla materialit\u00e0 a nozioni immateriali come la perdita di idee e la perdita di tempo.<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n<div id='gallery-5' class='gallery galleryid-25584 gallery-columns-2 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-2.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-2-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-3.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-3-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-3-150x150.jpg 150w, https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-3-300x300.jpg 300w, https:\/\/fiaf.net\/agoradicult\/wp-content\/uploads\/sites\/23\/2020\/10\/7-Amir-Tikriti-Samples-Paris-3.jpg 580w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\nAmir Tikriti &#8211; Samples Paris<br \/>\n<a href=\"https:\/\/www.amirtikriti.com\/samples-paris\" target=\"_blank\" rel=\"noopener\">https:\/\/www.amirtikriti.com\/samples-paris<\/a><br \/>\nSamples Paris \u00e8 un marchio falso. Amir crea ogni abbigliamento riciclando riviste e cataloghi di moda, abiti di seconda mano e vari oggetti di artigianato.<br \/>\n&nbsp;<br \/>\n<strong>Silvia Tampucci<\/strong><br \/>\nTutor Fotografico FIAF<br \/>\nCoordinatore artistico FIAF<br \/>\n&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n\n    <div class=\"xs_social_share_widget xs_share_url after_content \t\tmain_content  wslu-style-1 wslu-share-box-shaped wslu-fill-colored wslu-none wslu-share-horizontal wslu-theme-font-no wslu-main_content\">\n\n\t\t\n        <ul>\n\t\t\t        <\/ul>\n    <\/div> \n","protected":false},"excerpt":{"rendered":"<p>. &nbsp; . &nbsp; . &nbsp; . &nbsp; &nbsp; GRAND PRIX EYES ON TALENT PHOTOGRAPHY &amp; SUSTAINABILITY (GRAN PREMIO EYES &hellip;<\/p>\n","protected":false},"author":51,"featured_media":25646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[7,20],"tags":[],"class_list":["post-25584","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivio","category-eventi-fotografici"],"acf":[],"_links":{"self":[{"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/posts\/25584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/comments?post=25584"}],"version-history":[{"count":0,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/posts\/25584\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/media\/25646"}],"wp:attachment":[{"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/media?parent=25584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/categories?post=25584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fiaf.net\/agoradicult\/wp-json\/wp\/v2\/tags?post=25584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}